Shilka-23-4M - Gulf 1991 - 1/35 scale

Shilka.

Wreckage of a Shilka ZSU-23-4 anti-aircraft tank in the desert with a soldier

One of the photos that inspired the diorama. Despite the year listed, it is indeed from 1991...

One of the photos that inspired the diorama. Despite the year listed, it is indeed from 1991...

Shilka reference materials, photos, and printed diagrams arranged in plastic sleeves

A small portion of the documentation—essential for this kind of work...

Phase 1: Assembling the side compartments and the resin kit...

Assembled gray Shilka chassis model with tracks and detached side hatches positioned in front

The kit is from ITALERI, which is cheaper than the DRAGON version and requires only a few modifications... I decided to cut open the sides and create compartments to show the interior. The side panels were rebuilt using plastic card. The hatches were reused from the original part...

Assembled chassis and tracks of the Shilka model with an open interior compartment and upper hull

Compartments added on both sides will house the gas turbine and the auxiliary engine, as well as the transformer and the turret spotlight. Parts are sourced from the surplus box and modified based on the photos… Nothing too complicated, but it’s a long process of fitting and adapting…

Model of a Shilka chassis, viewed in profile, showing tracks, wheels, and a detailed, unpainted interior

The control arms on the right side have been modified, and the rollers are worn...

Shilka tracked chassis painted gray with hatches and three spare parts

The interior installation of the two side compartments after a few hours of work... The hatch on the far right, which is slightly too low, will be raised.

The Trakz Kit

Trakz 1/35 Scale ZSU-23-4 Shilka Resin Kit with Turret Interior and Cockpit

The TRAKZ kit. I usually “boycott” resin kits because they’re either too expensive or poorly molded—but I have to admit that this one is truly comprehensive and superb. It includes a large number of highly detailed parts. Furthermore, the parts inside the turrets are often barely visible, so you end up spending a lot of money for very little visibility. However, the Shilka works well with this kit because it has large hatches that provide a good overall view...

 Interior resin model of the Shilka, showing details of the seats and equipment Resin parts Part 3 and Part 4 assembled inside the Shilka turret

 Deux vues du compartiment conducteur: le résultat sur la maquette et la photo du kit résine. Le plancher est découpé pour permettre une meilleure mise en place. J'ai, malgré tout, rajouté quelques détails supplémentaires mais le kit est déjà magnifique de finesse...

Detailed interior of the Shilka model showing the engine compartment with fire extinguishers and tracks

Detailed engine compartment of the Shilka model, with wiring and equipment painted and weathered

Detailed interior view of the open turret of a Shilka model, showing seats and equipment

Three views of the compartment as installed, painted and weathered, with a few details added, including cables...

Beige resin parts from the Shilka kit showing the hull and armor details

Fire control – photo of the kit...

Detailed interior of the Shilka tank turret, featuring painted and weathered electronic components

…after setting it up, adding a few details, and painting the model...

 Beige resin parts from a detailing kit for a Shilka model Resin model of the interior of a Shilka turret, featuring a detailed firing station and equipment

 Vues du kit TRACKZ montrant les différents éléments de l’habitacle…

 

Painting the kit

Detailed interior of the Shilka turret, featuring seats, instruments, and electronic equipment painted in weathered gray

Detailed interior of the open turret of the Shilka model, featuring seats and electronic equipment

Detailed interior of the Shilka model's turret, featuring electronic components and weathered patina

Once the parts were assembled, painted, and weathered... with a few details added...

Shilka model chassis with a detailed interior and the turret removed and placed next to it

Gray Shilka chassis model with a detailed turret interior and tracks attached

An overview of the resin kit in place…

Detailed interior view of the Shilka model showing the compartment's layout and seats

Detailed interior of the Shilka turret, with electronic components painted on the model

Now that the interior kit is finished, we can close up the turret and start on the exterior detailing, which is important... We glue the two turret sections and the rear plate together. We check that everything fits properly, including the top panel that will hold the turret panel and hatch. We’ll glue in the tank commander’s curtain rod (made of toilet paper)—yes, he’s entitled to some privacy…
It’s certain that in the original tank, the entire interior of the turret was destroyed. But I wanted to keep the cockpit intact, given how beautiful the kit is...

Unpainted model of the Shilka tracked chassis with a detailed interior and an open turret

Turret Details

ZSU-23-4 Shilka model kit in gray primer, with detailed radar turret and tracks

PHASE TWO: ASSEMBLING THE TURRET

Details of the rear turret on the Shilka model with the radar retracted, painted gray

Assembled gray Shilka model hull showing the interior details of the compartment and the wiring

Work on the turret can begin. An EDUARD photo-etched kit is very useful for this, but even so, there are still many details to add, which is why it’s important to have good reference material...

Unpainted gray turret from the Shilka model, showing the assembled interior details

Another view—from the right—of the turret. The upper hatches have been removed and rebuilt, and the one at the rear right has been opened...

Unpainted gray model of the Shilka turret showing the details of the assembled armor

A roll bar is being added to the front—more true to the original—and additional parts will be attached to it...

 

Cannons

Gray parts from the Shilka model kit representing the four assembled automatic cannons

The barrels have been hollowed out. I chose to drill them out and taper them rather than use the photo-etched cones. The spent-cartridge ejectors have also been perforated...

Quadruple gun mount from the Shilka model kit, assembled from unpainted gray resin

The racks are openwork, and additional pieces have been added…

Shilka model turret with its four cannons and ammunition, detailed in gray

The ammunition compartment is made of plastic card...

Unpainted model of the Shilka turret with its four guns and open hatches

The cannons are in place...

The turret of the gray Shilka model, with its four quadruple guns and radar

Unpainted model of the Shilka anti-aircraft tank showing the turret and its four guns

A view of the "future" position of the turret. I've started adding detail to the front of the hull, including the driver's hatch opening mechanism, which isn't finished yet... There are also some missing parts on the glacis…
Note that I modified the torsion bars to show the right-side roller in “poor condition” during the hull’s assembly. That explains its odd shape...

THIRD PHASE:

Bodywork Details

Gray model of the Shilka, tracked chassis with open hatches and turret viewed from the rear

Gray Shilka model with the front hatch open and details of the driver's compartment

Gray Shilka tracked chassis model without turret, showing the engine compartment and tracks

Detailed view of the glacis and the front section. From the driver's hatch…

FOURTH PHASE:

The engine

Photo-etched engine grille mounted on a gray panel of the Shilka model

After the front, the rear. I cut out the plastic grille from the engine cowling to keep only the photo-etched version from Eduard. Otherwise, that empty space—even when painted black—looked... empty!

Open engine compartment of the Shilka model, showing details of the engine and wiring

Assembly of the engine, using salvaged parts, including some 1/24-scale components; the whole thing would be painted to "create a certain effect"...

Gray chassis of the Shilka model with a photo-etched engine grille mounted in front of the tracks

With the engine in place...

Close-up of the Shilka model showing the photo-etched engine grille and the tracks at the rear

The EDUARD grille is glued on. One of the hatches at the rear is open...

Close-up of the Shilka model showing the open engine compartment with wiring and ventilation grille

The engine is painted in shades of black and chocolate brown with a few lighter accents, but without too many details. You should just be able to glimpse it beneath the grille. As for the colors, let's not forget that this is a tank that was partially burned...

Front view of the gray Shilka model showing the grille and tracks

Close-up of the engine access panel...

Model of a gray Shilka anti-aircraft tank with four guns and a radar turret, front view

Model of the gray Shilka anti-aircraft tank, viewed from the rear three-quarter angle, with detailed turret and tracks

An overview of the tank. Many details and parts are still missing from the rear of the hull.

The assembled chassis and tracks of the Shilka model, painted gray before detailing

Details of the body. The compartment panels are glued in place before painting...

Unpainted, assembled model of the Shilka anti-aircraft tank with a quadruple-barreled turret and tracks

Model of the gray Shilka anti-aircraft tank, rear view showing the turret, tracks, and wheels

The model is now assembled...

Model of the Shilka anti-aircraft tank under construction, gray hull with tracks and radar turret

Gas cans and a tow rope are attached to the left side...

Painting

Unpainted, assembled model of the Shilka anti-aircraft tank, viewed from the rear three-quarter angle

Model of the Shilka anti-aircraft tank, viewed in profile, primed gray, with tracks and turret assembled

Unpainted model of the Shilka anti-aircraft tank with a yellow figure placed next to it

Model of the Shilka anti-aircraft tank, primed gray, with an unpainted yellow tank crew figure

Four photos showing the vehicle covered with a coat of primer before painting. The figurine will enhance the diorama and bring it to life...

Shilka model armor part with peeling beige paint on a black background

The paint consists of a desert sand yellow applied over the Russian green of the vehicles. Here are some "flakes" of paint taken from an Iraqi BTR-50...

Model paint jars and Liquitex acrylic tubes used for the Shilka

The paint used... Humbrol oil-based paint in jars and Liquitex acrylic paint for the details...

Model of a Shilka tracked chassis painted in sand-colored camouflage, without the turret installed

Model of the Shilka anti-aircraft tank with a quadruple turret and weathered sand camouflage

Airbrush base coat of Humbrol 121 and 148... The charred areas are painted with 93 - 62 - black...

Model of the Shilka anti-aircraft gun with an open turret and quadruple guns, in sand and green camouflage

The entire piece is coated with the usual mixture—more than 50% diluted with Matte Black and 98 Chocolate—to create shading on the surfaces...

Model of the camouflaged Shilka anti-aircraft tank, rear view of the quadruple guns and tracks

Another view...

Turret of the Shilka model with sand-colored patina and quadruple cannons on the side

To create the chipping effect on the details, use a fine brush and Humbrol 114 on the most exposed areas... Some areas are completely undamaged and don't require any signs of wear...

Close-up model of the Shilka with turret, optics, and rusty quadruple cannon

Another view...

Model of the sand-colored Shilka showing the radar and turret mounted above the tracked chassis

The radome cover is painted light blue and also shows signs of wear... We also paint the various details, such as the interior of the panels, wheel trim, chrome trim, etc...

 

Juices

Model of the Shilka anti-aircraft tank painted in sand camouflage, side view of the undercarriage

And now comes the best part. Apply a wash using a fine, pointed brush made with umber and sienna. The wash will bring out each detail individually, but be careful: don’t overdo it, and in fact, DON’T APPLY IT TO CERTAIN AREAS AT ALL...We tend to apply it to the entire model to make everything stand out, but that isn’t necessarily a good idea… Let
me explain: when building dioramas—unlike models on a base without scenery—you have to go the extra mile to make them look realistic. When working from photos to reproduce reality, you have to take into account the lighting, the distance (from the real vehicle), and the model’s scale. Sometimes it’s better to “suggest” an effect rather than try to add every detail at all costs. The wash will accentuate the details, but you’ll lose some realism. Here, I’m taking into account the “blazing” desert sun to tone down certain areas...

Shilka model with detailed front fender, sandblasted finish, and weathered tracks

The same goes for dry-brushing. Don't brush everywhere—just on certain parts. A good way to understand painting perspectives is to create a “real” diorama—with just a front window to view the scene—and a painted background. Having a single direction in which the viewer’s gaze is directed will make the painting process easier and help you understand it better...

Figurine of a soldier in camouflage uniform next to the Shilka model on a sandy diorama

Here, the weathering effect is accentuated with a brush... A sandy-colored wash is applied with a brush in certain areas (some people use diluted pastel powder—it’s up to you) to simulate dust and wear on the metal... Black pastel powder will accentuate the soot-black...

Figurine of a soldier in camouflage uniform posing next to the Shilka model
The slightly modified figurine is painted and positioned...

The Setting


Le char est disposé sur un morceau de contreplaqué saupoudré de plâtre et de débris divers, dont sur le côté droit, un réservoir de T55...

Shilka tank model with a soldier figure on a desert ground diorama

The scenery is painted with Liquitex acrylics, and here, the downside of acrylics—which tend to make colors "pop"—will actually help us highlight the sun's brilliance and make the model, with its more muted tones, stand out...

All in all, it's a lot of work for a very original and interesting model to build—and one that's not very common among modelers...