Resin water creation on a diorama

Diorama featuring a wooden rowboat moored to a dock on blue resin water

A humorous cartoon of a soldier in armor wading through sticky resin, exclaiming, "Here I go again, stuck in it."

It's me again!!!

Creating resin water effects on a model isn't always easy, but the end result is worth the effort. It requires a great deal of precision in measuring out the ingredients and proper preparation of the surface. There are several products that aren't always easy to work with—all of which are toxic—and their measurements must be followed down to the gram....

Some are sold in small quantities and can be prepared quickly, making it easy to quickly create small bodies of water, such as ponds, streams, etc.

Resin is always sold with a hardener that allows the material to cure through a chemical reaction. Too much hardener and it will crack (or worse: uncontrolled heating, release of toxic fumes, etc.), not enough, and it will NEVER harden and will remain a poison, emitting harmful vapors year-round—even if some are odorless and seem harmless...

Here, we're going to test the CRYSTAL - EC161 resin and its W242 catalyst, sold by ESPRIT COMPOSITE in Paris, which is ideal for this type of work...

We turned to this company because, objectively speaking, it is currently the best supplier on the market for composite materials used in art casting (the author of this article has fifteen years of experience in the field), and what’s more, they offer technical support and very reasonable prices, even for small quantities...

Diorama under construction with a sandy embankment and a level surface prepared before pouring the resin

The future structure consists of a 2-cm-thick plywood panel measuring 65 cm by 45 cm. It is a raised riverbank featuring a wooden pontoon and a concrete ramp to allow a vehicle to drive up to the water’s edge to launch a boat. The entire structure is built to a 1/24 scale...

Diorama in progress featuring a model boat moored to a dock and a trailer on the riverbank

 The embankment is made from extruded polystyrene, plaster of Paris, and various small pebbles collected here and there...

The pontoon

Miniature wooden pontoon on stilts with fender tires and a streetlight for a dioramaModel of a wooden dock on a diorama with a streetlight and mooring postsBuilding the pontoon out of balsa and softwoods...

The Riverbank

Diorama in progress with a wooden pontoon, grass, and an area to be covered with resinThe riverbank is made up of various types of flock, dried grasses, plastic plants, and small pebbles. Testing the future background color...

The bank is made up of various types of flocking, dried grass, plastic plants, and small pebbles. Testing the future background color...
Diorama of a grassy riverbank bordering a blue resin pondThe "marine" section is painted with Liquitex acrylic paint using phthalocyanine blue...

Diorama featuring a wooden pier extending over a blue resin riverGluing the pontoon and the posts...

Resin diorama featuring water and a pontoon, with a painted bird figurine in the foregroundOil painting of a pelican, mounted on a backing above the water...

Diorama riverside scene with tall grass and miniature waterfront vegetation, made of resinDiorama riverside scene with tall grasses and vegetation overlooking a resin water surfaceTwo shots of the vegetation...

Diorama featuring a Woody car, a trailer, and a rowboat moored to a resin pontoon on the waterAnother view clearly showing the future layout and the various plants along the riverbank, all secured with quick-setting wood glue...

Diorama featuring a wooden pier on blue resin water and a grassy riverbankThe first thing to do when pouring the resin is to seal your scene completely, because the resin takes great delight in seeping through even the tiniest overlooked hole. Old calendars—already smooth on the front and coated with petroleum jelly on the side that will come into contact with the resin—are perfect for framing. Next, use aluminum tape (available at big-box home improvement stores) and apply it perfectly at right angles all around the edges, making sure to smooth out both sides...

IMPORTANT: The work surface must be PERFECTLY level for the resin to be evenly distributed throughout. Check the level and make adjustments...

Bottles of resin, catalyst, acetone, blue dye, paper towels, and a scale for measuring waterIngredients : The resin and its catalyst—after some careful calculation, the amount needed to represent the volume of water in this scene will be 3.5 liters.

To do this, first calculate the area of your surface (simply length times width for a rectangle, or use other area formulas as appropriate; work in mm). Then multiply by the desired height (always in mm). This will give you a volume in mm³.

Technical tip: Your shape may not be a perfect quadrilateral, so there are two ways to calculate its area:

 -1- Either you break down your surface area into as many calculable geometric shapes (squares, rectangles, triangles, etc.) as possible, then calculate the area of each shape and add them together to get the total surface area; you can then calculate your volume.

-2- Either you estimate an average shape, which you measure in this way.

REMINDER: 1,000 grams = 1 kg = 1 dcm³

Calculation example: Your display measures 380 mm long by 250 mm wide. This gives you an area of 95,000 mm². If you want the water level in your setup to be 10 mm, multiply the area by the height to get a volume of 950,000 mm³. This is equivalent to 950 dcm³, which is 0.950 kg, or 950 grams. There you go—that’s why we do all this: electronic scales measure in grams, and you have to be very precise when measuring out ingredients.

Pitfall to Avoid: To determine the correct mixing ratios, you need to think in terms of the total mixture! In other words, don’t just say to yourself, “I need this many mm³ of resin, so that’s the amount I need!” No! That’s wrong! Because you’ve left out the hardener in your final calculation. This is a common mistake made by beginners, who end up ordering and buying far more resin than they actually need. 

The tools include a scale for weighing the product, a large plastic basin, and a plastic stirring stick. Blue food coloring, acetone for cleaning everything, and the indispensable paper towels. Don't forget the latex gloves and a mask, either...

 

Preparation

Pouring the resin hardener into a bowl placed on a kitchen scaleThe resin will be poured in several layers (usually one layer per day) to prevent it from overheating if too much is poured at once...

Generally, you apply layers of three to five mm at a time. If you're pouring concrete in your garage between October and March, five mm is possible. The rest of the year, no more than three mm...

Before you begin, calculate and neatly write down the mixing ratios needed for each coat...

(Simply recalculate the volume, but this time for the height of each layer—so 3 or 5 mm high. Note that the last layer may be slightly more or less if necessary.)...

From there, calculate the proportions of resin and hardener according to the instructions in the product's technical data sheet and write them down...

 

Casting/Resin

Turn on the scale, place the bowl on it, reset the tare to zero, and pour in the required amount of resin...

Then reset the tare to zero and add the corresponding amount of hardener...

Hands wearing gloves, mixing green-tinted resin in a glass bowlUsing the plastic stirrer, mix the two components thoroughly for several minutes, taking care to remove as many bubbles as possible. (The yellow color is not due to the products, which are completely transparent, but to the color of the mixing bowl.) To ensure the mixture is optimal, the hardener should no longer form streaks on the surface—in other words, your mixture must be perfectly homogeneous...

 

We use a coloring agent that we mix in small amounts with the resin to add a sense of depth to the water...

 Hands wearing gloves adding blue dye to a bowl of liquid resin

Add the food coloring carefully, a little at a time...

Mix the blue-tinted resin in a bowl with a food coloringThen mix well...

Image of resin being poured onto the diorama to create the waterOnce the mixture is thoroughly blended, the resin is ready to be poured...

Blue resin poured over a diorama featuring a wooden dock and vegetation

Pour the resin onto the lowest point of the model, in as thin a stream as possible...

This will cause any remaining air bubbles that may have formed during mixing to disappear...

Blue-painted surface of a diorama depicting water before the resin is pouredAnother view. We let the resin spread on its own...

A gloved hand using a brush to apply the blue water resin along the grassy bank of the dioramaAt the base of the embankment, we use an old paintbrush to smooth out the "rocky" edge...

Applying the foam-on-water texture to the blue resin of a diorama with a brush...and work the resin through the grass...

A gloved hand applying a brush to the blue resin water of a diorama bordered by grass and a dockWe also need to help him in areas that are inaccessible due to the rising riverbank, because the final layer will reach all the way to the concrete dock...

Applying blue resin to the grassy bank of a diorama using a toothpickHere, we use a wooden skewer to thread the resin through the intertwined grasses... 

"The help" given to the resin so it can seep into all the nooks and crannies is because the resin is always a little oily and might not reach every spot...

Grassy bank of a diorama bordering blue resin water near a stone pierOverview...

IMPORTANT: Never "scrape" the bottom of the basin, as uncured resin may still remain on the sides...

Once the resin has completely cured, immediately clean the tools and containers that will be reused with acetone. Contaminated acetone and/or unused resin residue should be absorbed with cat litter or sawdust, then discarded...

Diorama featuring blue resin water, a wooden boat, and a yellow dock near the riverbankAfter the first layer has cured, the boat is placed in its designated spot to be secured with the next layer. When placing objects in the water, it is important to take into account the depth, the height of the pontoon relative to the boat, and the water level inside the hull...

An "elaborate" mounting system is designed so that the boat remains perfectly horizontal and does not move at all during the pouring process...

Wooden model boat moored at the dock on a resin-made water surface in a dioramaThe boat’s motor is supposed to be running because characters will be added to it later. After the second layer (poured, as mentioned earlier, 24 hours later), we add aquarium filter media to the resin to create transparent eddies in the water around the propeller. Once the whole thing has hardened, we free the perfectly stabilized boat from its restraints...

Resin-made body of water on a diorama with tufts of grass and reflections on the bankWooden model boat moored to a pontoon on a resin-based water surfaceResin pond diorama with a dock, a rowboat, a streetlight, a perched bird, and water liliesDiorama featuring blue resin water, a boat at the dock, and a car and trailer on the riverbankThe result after four successive layers of resin. No blue dye is added to the last two layers...  

It is good practice to protect your resin with a high-quality glossy polyurethane varnish (such as marine, automotive, or, better yet, aerospace grade) that will not yellow. This is because the resin remains slightly inhibited when exposed to air and can attract dust...